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now_____ Violently Y/ours exhibition__ Sit-In/Out_ Performance
__ Performance at Lentos Museum 10.09 __ Naturband at Videorama_on tour, 20 Digital Years Archive online__________
____________________________________________________________________Commercial Works_like for the F.A.Z______________________________________________________________________
term "Digital Bohème" is by Station Rose 1994 ________FAQs
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______________________________________________________________________ back home______---- facebook _____myspace ___iTunes _____flickr ___youtube_______ the STR info-book as pdf
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:// STR-news__
:// coming up 10.02.2010: "Sit-In/Out" performance:

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:// solo-exhibition "Violently Y/ours" - recycling surplus to save nature
at gallery Hofkabinett, Linz 15.01- 6.02.2010
_press article & 1st photos at Kurt Bayers facebook -site

// info: (photo of Station Rose at Tobias Rehberger´s studio)
take a look at the exhibition here as pdf.
STATION ROSE/STR are back to their home-town Linz for the 2nd time, after their AV-performance at
Lentos museum in oct.09, this time with the solo-exhibition "Violently Y/ours" at gallery Hofkabinett.
Now the media artists go consciously away from the media art (scene)´s devoutness to the future, and
concentrate on the crisis-ridden present, with new digital & analog works.
______Life instead of Artificial Life, present instead of the future.
They call their current direction "New Media Arte Povera".
For the solo-exhibition this means that STR acts in the sense of not wasting material, which must be retained nowadays. When "Recycling Surplus to Save Nature", they use the surplus, the fall-out of their studio in Frankfurt as samples for new works, besides digital prints on cloth. A very personal material, recently used by Elisa Rose, are her (worn) tights, recycled to yarn. Stills from the AV-compositions "Violent", "Fussgaengerzone" and "Ornamental_409", performed at Lentos museum, now become stitched, printed, sewn pieces of art, transfered into <real> material. The 500 year old building, in which gallery Hofkabinett is accommodated, represents a further exciting contrast to the in the meantime 21 years of digitality of the artists.
In addition, AV-compositions will be shown, & a limited music-edtion
<on Audio-Cassette> will be available in the exhibition, too.
:// see the videos of the performance at Lentos museum here:
____"Violent"
____"Fussgaengerzone"
____"Zipped" )
:// huge videosreens became stitched small sized art pieces for the exhibit.
see the photos of the performance at Lentos here at flickr
.
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:// groupshow Videorama - "Naturband" at KUNSTHALLE wien
Station Rose is part of the group show Videorama, Artclips from Austria, with the video "Naturband" (1985/86)
November 04th, 2009 - January 10th, 2010
:// info: " Naturband" 1985/6
One of the first " studioproductions" of Rose and Danner, 2 years before the establishment of Station
Rose. They produced Naturband during their studies at the University of Applied Arts in Vienna, where they
started to work together live audio-visually 1983/84.
The clip reflects the preoccupation of the artists with nature at that time, with distortion, as well as the
animism inherent in technology and nature, as well as their preference for a special lo-res image quality,
which they applied since then to their TV-program & natively in the net. The video was shot in VHS, and
edited in u-matic.
Elisa Rose: Camera, video; Gary Danner: Camera, music
The exhibition "Videorama" travels to->
Austrian Cultural Forum, New York, USA, 30 November, 2009 – 16 January, 2010
Center for Contemporary Art, Tel Aviv, Israel, 2010
Der Kunstverein, seit 1817. Hamburg, Germany, 2010
Galerie Henze & Ketterer, Bern, Switzerland, 28 November, 2009 – 27 February, 2010
Lalit Kala Akademie, National Academy of Art, New Delhi, India, 2010
MSU Museum der Moderne / Rupertinum, Salzburg, Austria, 2010
ParaSite, Hong Kong, China, 2010
Ullens Center For Contemporary Art, Peking, China, 2010
Ursula Blickle Stiftung, Kraichtal, Germany, 2010
Zacheta. National Gallery of Art, Warschau, Poland, 2010

http://kunsthallewien.at/cgi-bin/event/event.pl?id=3220&lang=en
http://www.ursulablicklevideoarchiv.com/
Publication:
A German and English booklet (ca. 60 p.) with 2 DVDs edited by the Kunsthalle Wien – Gerald Matt,
Angela Stief, and Gerhard Johann Lischka – will be published by Benteli Verlag to accompany the
exhibition. 
press: EIKON '68 (feature Videorama)
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:// performance at Lentos Museum, Linz/A 22/10/09
"Augenclick – Pheromonic_Hungry Walking Blues "

:// info:
Elisa Rose (visuals) & Gary Danner (sound) work together digitally since 1988,
perform live with computers since 1992. Picture & sound, loops & patterns vare composed at the same time.
:// un-text: Station Rose/STR sees its AV/Netart as a new language, which will destroy the language of letters.
For SeeThisSound STR builds a Pheromonic Area with projections, P.A. &re-materializations. The basis is their personal synchronization. The samples/substances, which STR delivers during the performance to the public,
steers the behavior. The complex pheromonic communication system of nature is used performatively in their digital art,
"Das Pheromonische" is manufactured as AV-liquid. Signals release behavior reactions.
<Worst case scenario> are alarm pheromones, where hungry cultural workers transfer increased aggression.
Premiere.
Thanks to Ma Rainey for helping us out with the title.

________photos at flickr______blog.see-this-sound_
___performance-videos (youtube): 1.Violent__2.Fussgaengerzone_-3.Zipped
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:// performance at artspace Satellit in Frankfurt 30/10/09

performance-art-lab satellit, am Roemer, Frankfurt, between Schirn und Frankfurter Kunstverein,
a Station Rose evening at an art space called performance-art-lab satellit, installed in the (former)
Technisches Rathaus, Roemer, in Frankfurt. A building that is more than interesting, built between
1972-74. (The STR-studio/headquarter, installed in the 16th floor of a scyscraper is from 1972, too.)
IMHO the Technisches Rathaus (i.e. technical city hall) should be declared a historic monument/building &
be preserved - but cause Frankfurt is always under construction, at least it has been before the world financial crisis, the
city decided to tear it down & destroy it - soon. let´s see. (stills used from city hall,
rhein-main-wiki.de) E.R.

another performance-still
_fotos: Ernst Stratmann, Station Rose
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Station Rose 20 Digital Years _Database (in typo 3) - take a look here.
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:// Commercial Works
__________________ - like for the F.A.Z
Commercial Works is a new partition of STR´ activities, and the start was not bad : we composed an AV-composition, animated the campagne & created an evening & installation for Frankfurter Allgemeine Zeitung at Staedelmuseum_

-> take a look at the F.A.Z.-Lounge at Staedelmuseum
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:// "Interstellar Overdrive" _Atom™ & Station Rose EP.
_______ limited edition, enhanced CD
___________ out on Third Ear, Japa, in feb.2009
Gary Danner: "Immediately after Syd Barrett died in 2006 I decided to record a tribute.
Later on I invited Atom™ to join in and contribute."

__________listen to the tracks at myspace; available on iTunes.
foto: Ernst Stratmann
The video was created simultaneously to the music by Elisa Rose.
clip "Krautstep Version", "Interstellar Overdrive EP"___________ youtube video here
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:// "LogInCabin" - media sculpture & archive
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MAK/Museum of Applied/Contemporary Arts, Vienna.
_______________________________________5.11.2008 - 25.1.2009
STR
celebrated
with
the media-sculpture "LogInCabin", at MAK
Vienna.
20 Digital Years- The Archive is online since then.
The media sculpture (3,3 tons) has been sold after the exhibition.

photos by MAK/Wolfgang Woessner
info:
As the 1st media art space in Vienna STR went back to the roots - after 20 Digital Years. For that Station Rose constructed a media architecture of 3,3 tons & used the the logcabin system - which goes back to Bronze Age - as a sample and updated it to LogInCabin. Sustainable wood meets LEDs & sound system. The media sculpture was on 24hours for 3 months. The LEDs needed 100% energy throughout sunlight/daytime, and 10% after 5pm. It was an intervention in city space - seen for miles, positioned on the MAK Terrasse plateau (built by Peter Noever).
Digital Art could be seen inside the scultpure, on the street & online.
phot-collection here:
f The Digital Archive was presented there as a premiere.
After the exhibiton the media sculpture has been sold to the artcollection of the City of Vienna. Because of its logcabin system it was constructed in 3 days, and un-built in 2. It can be rebuilt any time. Station Rose performed live twice during the exhibit.
details here
____the big photo-collection is at flickr _here__
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:// "20 Digital Years - the Movie" at KUNSTHALLE wien.
_____video of the month #37: Station Rose

monographic artist screening.
¬¬¬¬¬¬¬¬¬¬ ¬¬¬¬¬¬¬¬¬¬¬ ¬¬¬¬¬¬¬¬¬¬¬ ¬¬¬¬¬¬¬¬¬¬¬ ¬¬
June 01st - June 30th, 2008 - Vienna, Museumsplatz 1/Museumsquartier
:// info:
2008 Station Rose/STR celebrated 20 Digital Years, and showed a film as their new piece of
art, as a representative cross-section of their audio-visual art, at Kunsthalle Wien for this occasion.
Many of the videos sampled and re-edited for The Movie have been created live during the webcasts
at their Frankfurt studio live @ home, for their TV series at hr-fernsehen/ARD digital "Best of Webcasting", as
well as during audiovisual live-performances in museums, at festivals and in the underground.
The basis of STR´s work is the interaction of visuals (Elisa Rose) and sound (Gary Danner). Both
compose their audiovisual art synchronously. Distillates thereof can re-materialize as
performances, installations, art products, CDs/vinyls/DVDs, net art projects, texts, TV shows etc.
While STR has installed and performed inside an audiovisual installation with 8 screens as early as
1991, their next step further now is in the opposite direction, by showing a one-channel projection
in the Ursula Blickle videolounge at Kunsthalle Wien.

The focus is on non-narrative dramaturgy & fictional story telling, which has been enhanced ever
since their audiovisual TV series. The real storylines are not in the spotlight, but get inverted
as breaks, as wild card and un-commercials between abstract MIDI-sequenced patterns.
The real world is featured as disruption, as glitch, as reset-button.
Digital abstract patterns, created by Elisa Rose since 1987, then on her Amiga computer, and the
use thereof, which had been confirmed during STR´s 8-month portgraduate studies in Cairo 1988/89,
take center stage ever since.
These attract interest together with RL/ real-life sequences, filmed on location (Vienna, Cairo,
Frankfurt, San Francisco, Linz, Lugano, Avignon, ICA London via Webcam).
The crossfading between scenes in movies has been replaced by short real-life interferences.
The soundtrack by Gary Danner was realized entirely on the computer, ranging from dry, minimal
electronica, over bass-heavy dub, to nods to Nino Rota stylistically. Special "vignettes" had been
created to fit the RL-interruptions, often backing the original sound recorded on location.
The movie is also a survey of the performative AV-flow of the art created in STR´s studio, with all
its drive as well as stops within the sequences.
Particular attention is given to subjective perception of time, digital glitches and the merger of
digital worlds and the (urban) nature surrounding us.
music composed, produced & performed by Gary Danner
visual art, performance, editing & camera by Elisa Rose
KUNSTHALLE
wien "20 Digital Years_ the Movie" (06.08)
articles in skug by
Heinrich Deisl
and in eikon
#69 by Patricia Grzonka
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